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Pixar’s Hoppers: The Scary Scene That Was Originally Even More Terrifying

Pixar’s Hoppers: The Scary Scene That Was Originally Even More Terrifying

March 9, 2026 Laura Fontaine - Entertainment Editor Entertainment

Pixar’s latest offering, Hoppers, is charming audiences and dominating the box office—recently claiming the top spot in its opening weekend—but it wasn’t without some last-minute adjustments. A particularly unsettling scene involving the villain, Titus, and a robotic version of Mayor Jerry, underwent a significant change after test screenings revealed it was simply too frightening for younger viewers. The filmmakers walked a tightrope, aiming for “freaky and eerie” without crossing the line into genuinely traumatizing.

From Mayor Jerry to Insect King: The Evolution of Hoppers’ Villain

Early marketing for Hoppers initially positioned Mayor Jerry (voiced by Jon Hamm) as the primary antagonist, a greedy politician seemingly indifferent to the plight of the animal community. However, the film quickly reveals a more complex narrative, establishing Titus (voiced by Dave Franco) as the true architect of the conflict. As ScreenRant explains, Titus, a haughty prince of the Insect Kingdom, ascends to power after a tragic accident befalls his mother, setting the stage for his ambitious and ultimately destructive plans. This twist, initially intended to be a surprise, was further solidified by the need to dial back the intensity of a key scene.

The scene in question occurs in the third act, after Titus gains control of a robotic replica of Mayor Jerry. When the animals manage to expose Jerry as a machine, tearing off his face to reveal what’s underneath, the initial reaction from test audiences was…intense. Director Daniel Chong explained to reporters that the original version of the scene included screams from Dave Franco, intended to convey the “pain” of the face removal. However, this proved to be a step too far.

The Scream That Was Too Much

“It’s more or less the same [visual],” Chong said, describing the changes. “I would say one of the biggest changes we made… originally, when the mask was getting pulled off, we had Dave Franco scream in pain. Like it was painful for him, and I think the audiences realized like, ‘Oh, that was too much.’ So we just had him talk through it. Like, ‘Oh, what are you doing? What are you doing?’ And that I think solved the note.”

The decision to replace the scream with more bewildered dialogue was a stroke of creative problem-solving. As Chong pointed out, a scream didn’t logically fit the character—Titus isn’t actually experiencing physical pain. The revised approach is both sillier and more narratively consistent. The final cut, although still unsettling, avoids the jarring emotional response elicited by Franco’s screams.

A Nod to Who Framed Roger Rabbit?

Chong intentionally aimed for a similar level of unsettling imagery as the infamous Judge Doom scenes from Robert Zemeckis’ 1988 classic, Who Framed Roger Rabbit. He wanted Hoppers to exit a lasting emotional impression on viewers, even if that impression was a little bit creepy. “It doesn’t take much to just kind of recalibrate it a little bit and make it a little more palpable,” he explained. “But I signify, part of it is I wanted it to be kind of freaky and a little bit kind of eerie. And to me, that’s what makes the movie powerful, is that you feel those feelings.”

Dave Franco’s Expanding Pixar Portfolio

Dave Franco’s role as Titus marks his second collaboration with Pixar, following his voice work in 2022’s Turning Red. Franco has been steadily building a diverse filmography, moving between independent projects and larger studio productions. His casting as Titus, a villain initially obscured by the seemingly antagonistic Mayor Jerry, speaks to the film’s clever narrative structure. As Villains Wiki notes, Titus was a late reveal, initially overshadowed by the perceived villainy of Mayor Jerry, a plot twist that added another layer of complexity to the story.

The Box Office Buzz and Critical Reception

Hoppers has enjoyed a strong opening weekend, as reported by MSN, demonstrating Pixar’s continued ability to draw audiences to original animated features. Critics have praised the film’s inventive animation, engaging story, and surprisingly complex themes. The success of Hoppers is particularly noteworthy given the current landscape of animated films, where sequels and established franchises often dominate the box office.

What’s Next for the Hoppers Universe?

While there’s no official word on a sequel, the strong performance of Hoppers certainly increases the likelihood of future installments. Pixar has a history of revisiting successful franchises, and the rich world and compelling characters introduced in Hoppers offer ample opportunities for further exploration. For now, audiences can continue to experience the film’s blend of humor, heart, and just a touch of unsettling imagery on the big screen.

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