RZA of Wu-Tang Clan: Exclusive Music Week Cover Interview & Tour Insight
The Wu-Tang Clan, the Staten Island collective that reshaped the landscape of hip-hop and redefined artist control, are embarking on what they’ve termed “The Final Chamber” global tour. The tour, and the ambition behind it, is being spearheaded by RZA, the group’s leader, who spoke with Music Week about uniting the Clan for one last expansive run.
More than three decades after their emergence, the Wu-Tang Clan are taking their live show to a new level. RZA explained to Music Week that the idea for this tour originated several years ago, and is now coming to fruition. “The chances of getting us all together again? We doubt that can happen. We’ve all agreed to go out and hit the globe together one more time. We position this plan in motion several years ago, now we’re living it,” he said.
The tour is already garnering acclaim after successful dates in the United States, and is now extending to the UK. The Wu-Tang Clan’s live business is being handled by CAA agent Cameron Kaiser, working alongside RZA, who the publication refers to as the group’s “Abbott.”
RZA’s vision extends beyond simply performing their classic material. He’s focused on solidifying the Wu-Tang Clan’s legacy and exploring new avenues for their creative output. The Music Week profile delves into a wide range of topics, including the group’s most memorable onstage moments, their ventures into television, the evolving dynamics of record label deals, and the enduring value of music itself. The conversation also touches on the importance of creating unique experiences for fans and addressing the unfinished business surrounding the legacy of Ol’ Dirty Bastard, who passed away in 2004.
The Clan’s influence on hip-hop is undeniable. Formed in 1992, the group – comprised of RZA, GZA, Method Man, Raekwon, Ghostface Killah, Inspectah Deck, U-God, Masta Killa, and Cappadonna (following the death of Ol’ Dirty Bastard) – revitalized East Coast hip-hop and are widely considered one of the greatest hip-hop groups of all time, according to Wikipedia. Their debut album, Enter the Wu-Tang (36 Chambers), released in 1993, is now considered a landmark achievement in the genre.
Beyond the tour, RZA has been actively pursuing strategic business moves. In 2025, he brokered a deal with Hipgnosis to acquire a 50% stake in his catalogue, demonstrating a proactive approach to managing his intellectual property. This move, coupled with the tour, signals a concerted effort to maximize the Wu-Tang Clan’s long-term value.
The April issue of Music Week also features profiles of other key industry figures. Kirk M. Sommer, global head of contemporary music at WME, is honored with the International Music Person Of The Year award at Musexpo. The publication traces his career trajectory from the agency’s postroom to his current leadership position.
ADA managing director Howard Corner and general manager Alice Frost also feature in the issue, discussing the company’s success with artists like The K’s, EsDeeKid, Sonny Fodera, and Nemzzz. The interview explores ADA’s unique approach to working with records across various genres.
The issue also highlights the importance of Black music in the UK economy, with a special feature from UK Music. Ammo Talwar, Paulette Long, and Eunice Obianagha discuss the key messages of their Black Music Means Business report and emphasize the economic contribution of Black music.
Rounding out the issue is an interview with Sian Eleri, a rising star at BBC Radio 1, who discusses the health of emerging talent and the impact of social media on the music industry. The publication features insights from music promotions and TV executives on the evolving opportunities for new music on television, and an update from independent publisher Boosey &. Hawkes.
The new issue of Music Week is available from March 17th.