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Underscores’ U – The Peace: A Review | The Fader

Underscores’ U – The Peace: A Review | The Fader

March 22, 2026 Laura Fontaine - Entertainment Editor Entertainment

Underscores’s latest single, “The Peace,” isn’t a bombastic statement; it’s a quiet revelation. The track, a deceptively simple pop ballad, is quickly gaining traction for its stripped-down production and, crucially, the lyrical dexterity of Devon Karpf, the artist behind the moniker. It’s a song that feels both immediate and deeply considered, a hallmark of Karpf’s work.

The song’s impact isn’t just about its sonic qualities. It’s a showcase for Karpf, who consistently ranks among music’s most deft lyricists. While Underscores has been steadily building a dedicated following, “The Peace” feels like a potential turning point, a moment where wider audiences are taking notice.

A Slow Burn for a Singular Voice

Devon Karpf, operating as Underscores, first emerged in the mid-2010s, initially gaining attention for a series of self-released EPs and singles. Early work showcased a penchant for atmospheric soundscapes and introspective lyrics, often blending elements of indie rock, electronic music, and dream pop. The project gained momentum with the release of the 2018 EP, Share the Feeling, which established a signature sound characterized by layered textures and Karpf’s distinctive vocal delivery.

The 2021 album, Fishmonger, marked a significant step forward, earning critical acclaim for its ambitious scope and emotional depth. Pitchfork praised the album’s “intricate arrangements and Karpf’s ability to convey vulnerability without sentimentality.” This album solidified Underscores as a project to watch, attracting a broader audience and opening doors to larger festival appearances and collaborations. Karpf’s songwriting consistently explores themes of isolation, longing, and the complexities of modern relationships, often employing vivid imagery and unconventional song structures.

“The Peace” and the Power of Subtraction

What sets “The Peace” apart is its deliberate minimalism. The song is essentially a ballad built around Karpf’s vocals and a sparse arrangement. The absence of drums, as noted by several reviewers, isn’t a gimmick; it’s a choice that forces the listener to focus on the nuances of the melody and, most importantly, the lyrics. This approach highlights Karpf’s skill as a storyteller, allowing the emotional weight of the words to resonate more powerfully.

The lyrics themselves are characteristically oblique yet evocative, hinting at a sense of quiet desperation and the search for inner peace. While interpretations vary, the song seems to grapple with themes of loss, regret, and the difficulty of letting go. The ambiguity is intentional, inviting listeners to project their own experiences onto the song’s emotional landscape. This lyrical approach aligns with Karpf’s broader artistic vision, which often prioritizes suggestion and atmosphere over explicit narrative.

Lyricism in a Pop Landscape

The discussion around lyricism in pop music is ongoing. While melody and production often capture center stage, the quality of songwriting remains a crucial element for many listeners. A 2017 Reddit discussion on r/popheads (via startpage) highlighted artists like Mariah Carey, Alicia Keys, and Carole King as standouts in the field, demonstrating a continued appreciation for thoughtful and emotionally resonant lyrics.

Karpf’s work often draws comparisons to artists like Joni Mitchell and Elliott Smith, songwriters known for their poetic lyrics and willingness to explore complex emotional terrain. However, Karpf’s sound is distinctly modern, incorporating elements of electronic music and experimental pop that set it apart from more traditional singer-songwriter fare. The Rolling Stone list of the 100 Greatest Songwriters of All Time (via startpage) – compiled in 2015 – largely focuses on rock and pop icons, but the ongoing conversation about lyricism suggests a growing recognition of diverse voices and approaches to songwriting.

Industry Momentum and the Independent Route

Underscores operates largely independently, releasing music through their own channels and maintaining a direct connection with their fanbase. This approach allows for greater creative control and a more sustainable business model, particularly for artists who prioritize artistic integrity over mainstream commercial success. The success of “The Peace” demonstrates the viability of this model, proving that a strong artistic vision and a dedicated fanbase can be enough to generate significant momentum.

While major label interest is likely to increase, Karpf has consistently expressed a desire to maintain autonomy over their work. This commitment to independence is a key part of the Underscores brand, attracting listeners who appreciate authenticity and a rejection of conventional industry norms. The current music landscape, with the rise of independent artists and the increasing accessibility of digital distribution platforms, is particularly conducive to this approach.

What’s on the Horizon?

Currently, Underscores is scheduled to perform several dates throughout the spring and summer, including appearances at several smaller festivals. Karpf has also hinted at the possibility of a fresh EP or album in the coming months, though no concrete release date has been announced. Given the success of “The Peace,” it’s likely that any future releases will receive increased attention from both critics and fans. The artist maintains an active presence on social media, regularly sharing updates and engaging with their audience, suggesting a continued commitment to building a strong and engaged community around their music.

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