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Heel: Review of Jan Komasa’s Disturbing Thriller

Heel: Review of Jan Komasa’s Disturbing Thriller

March 7, 2026 David Kessler - News Editor News

‘Heel’ Review: A Disturbing Seem at Family, Control and Captivity

The new thriller “Heel,” directed by Polish filmmaker Jan Komasa, isn’t your typical kidnapping story. The film opens with a jarring sequence introducing Tommy (Anson Boon), a young man seemingly defined by excess, before abruptly shifting to his captivity – shackled in the basement of a secluded English estate. This initial contrast sets the stage for a psychologically unsettling exploration of control, family dynamics, and the blurred lines between victim and perpetrator. The film, currently playing at Laemmle NoHo 7, challenges viewers to question the motivations behind Tommy’s abduction and the unorthodox methods employed by his captors.

An Unconventional Family and Their Captive

Tommy’s captors are far from the stereotypical criminals one might expect. They are Chris (Stephen Graham), Catherine (Andrea Riseborough), and their son Jonathan (Kit Rakusen) – a seemingly ordinary, yet deeply isolated, family. Their approach to Tommy’s confinement isn’t rooted in malice, but rather in a peculiar belief that they can “reform” him through a system of reinforcement and reward. This unsettling dynamic is further complicated by the presence of Katrina (Monika Frajczyk), a Macedonian refugee hired as a housekeeper, who finds herself caught between her own precarious situation and the disturbing events unfolding around her.

A Psychological Game of Control and Confinement

Komasa masterfully creates an atmosphere of unease, drawing viewers into the fractured world of this unconventional family. The film’s strength lies in its ability to evoke a sense of queasiness, prompting reflection on the inherent power dynamics within families and the subtle forms of emotional blackmail that often underpin those relationships. As Tommy begins to participate in the family’s daily routines – meals, movie nights, even a picnic – the lines between captive and companion become increasingly blurred. This is where “Heel” truly shines, offering a dark commentary on the often-confining nature of familial bonds.

Strong Performances Elevate the Narrative

The success of “Heel” is significantly bolstered by the compelling performances of its cast. Anson Boon delivers a nuanced portrayal of Tommy, skillfully revealing glimpses of vulnerability beneath his brash exterior. Stephen Graham, known for his captivating work in “Adolescence,” embodies a quiet intensity as Chris, the patriarch of the family. Andrea Riseborough, lauded for her performance in the 2023 Oscar-nominated role, brings a chilling severity to the character of Catherine. Monika Frajczyk and Kit Rakusen also deliver pitch-perfect performances, adding layers of complexity to the film’s already intricate narrative.

Komasa’s Exploration of Family and Societal Issues

Jan Komasa’s previous work, including last year’s “Anniversary,” often delves into the corrosive effects of external forces on familial harmony. However, “Heel” takes a different approach, focusing on the internal dynamics of a family and their self-imposed isolation. The film’s unsettling premise and psychological depth recall the mind-bending thrillers of the 1960s, such as “The Servant” and “The Collector,” and even echo the work of Komasa’s compatriot, Roman Polanski. The film’s executive producer, Jerzy Skolimowski, known for his allegorical storytelling, further reinforces this thematic connection, as seen in his own kidnapping allegory, “Moonlighting.”

What Remains Unclear About ‘Heel’

Whereas “Heel” presents a compelling and disturbing narrative, certain aspects of the story remain ambiguous. The precise motivations behind the family’s actions are not fully explained, leaving viewers to grapple with their own interpretations. The film also doesn’t delve deeply into the backstory of each character, leaving some questions unanswered about their individual traumas and the origins of their unconventional methods. Details were not provided regarding the specific legal ramifications of the family’s actions or the long-term consequences for Tommy and Katrina.

A Bold and Disturbing Thriller

Despite these ambiguities, “Heel” is a bold and unsettling thriller that lingers in the mind long after the credits roll. Its elegant disturbia and thought-provoking themes make it a standout film, prompting viewers to confront uncomfortable truths about family, control, and the human capacity for both cruelty and compassion. The film’s strength lies not in providing easy answers, but in raising challenging questions and forcing audiences to confront the darkness that can lurk beneath the surface of seemingly ordinary lives.

anson boon, cruel tommy, everyday family, heel, katrina, kit rakusen, komasa, monika frajczyk, movie, part, reserve, review, soft-spoken chris, stephen graham, terroristic morality play

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