Via Dolorosa: New York Premiere at BAM Explores Truth in Simplicity

The echoes of Nico Muhly’s harp score, designed to evoke the 14 Stations of the Cross, are resonating right here in Brooklyn. Mark Morris’s “Via Dolorosa,” currently premiering at the Brooklyn Academy of Music (BAM), isn’t just a dance performance; it’s a stark, beautifully restrained meditation on suffering and faith, arriving at a moment when both feel particularly relevant. For those familiar with the vibrant cultural landscape of Fort Greene and the surrounding neighborhoods, BAM has always been a cornerstone, a place where challenging and thought-provoking art finds a home. This production feels particularly attuned to the borough’s spirit of artistic exploration.

A Stripped-Down Approach to a Powerful Narrative

The New York Times review highlights the piece’s commitment to “plainness,” a deliberate choice that amplifies its emotional impact. “Via Dolorosa” isn’t about spectacle; it’s about stripping away the excess to reveal the raw core of the story. This approach is particularly interesting when considered alongside the broader trends in contemporary dance, which often lean towards elaborate sets and multimedia presentations. Morris’s decision to focus on the movement and the music, coupled with Howard Hodgkin’s vibrant set design, creates a powerful and intimate experience. The choice of the harp, played live by Parker Ramsay, is also significant. The instrument’s delicate sound provides a haunting counterpoint to the weighty subject matter, creating a sense of both fragility, and resilience.

BAM’s Role in Brooklyn’s Cultural Fabric

The Brooklyn Academy of Music isn’t simply a venue; it’s an institution deeply woven into the fabric of the borough. For over 150 years, BAM has championed adventurous artists and engaged with the local community. Its location in Downtown Brooklyn makes it accessible to residents from across the city, and its diverse programming reflects the borough’s own rich cultural tapestry. BAM’s commitment to presenting works like “Via Dolorosa” – pieces that challenge and provoke – is a testament to its enduring vision. The organization’s ongoing efforts to connect with local schools and community groups further solidify its role as a vital cultural resource. Consider, for example, BAM’s education programs, which bring the arts to thousands of students each year, fostering a new generation of artists and audiences. The current season also features Natalia Lafourcade, a celebrated Mexican singer-songwriter, and a community event, “Bringing The Shãm (شام) to BAM,” showcasing SWANA artists, demonstrating BAM’s dedication to diverse voices.

The Stations of the Cross in a Modern Context

The Stations of the Cross, a traditional Catholic devotion, depict the final hours of Jesus Christ’s life. Morris’s interpretation isn’t explicitly religious, however. Instead, it focuses on the universal themes of suffering, loss, and redemption. This makes the work accessible to audiences of all backgrounds, even those unfamiliar with the religious context. The dance evokes the emotional weight of the story without relying on literal representation. The “serenely shattering” quality, as described by the San Francisco Chronicle, suggests a performance that is both deeply moving and intellectually stimulating. It’s a work that stays with you long after the curtain falls. The timing of the premiere, just before Easter, adds another layer of resonance, prompting reflection on themes of sacrifice and renewal.

Beyond “Via Dolorosa”: BAM’s Spring Season

“Via Dolorosa” is just one highlight of BAM’s spring season. The schedule also includes performances by Natalia Lafourcade, offering a vibrant contrast to the somber tone of Morris’s work. The “Bringing The Shãm (شام) to BAM” event, hosted by Syrian-American rapper Omar Offendum, promises a dynamic celebration of Arab American Heritage Month. And the film “Solomon Northup’s Odyssey” offers a powerful historical narrative about the horrors of slavery. This diverse programming demonstrates BAM’s commitment to presenting a wide range of artistic voices and perspectives. The inclusion of David Rivera y La Bámbula, blending hip-hop, funk, and salsa, further showcases BAM’s dedication to musical innovation. These events collectively paint a picture of a vibrant and engaged cultural institution.

Navigating Emotional and Spiritual Responses to Art

Experiencing a work like “Via Dolorosa” can be profoundly moving, and sometimes even unsettling. It’s natural to feel a range of emotions – sadness, anger, empathy, or even confusion. If you find yourself grappling with these feelings, or if you’re seeking support in processing the themes explored in the performance, it’s key to have resources available. Given my background in community resource navigation, if this type of emotionally resonant art impacts you in Brooklyn, here are three types of local professionals you might find helpful:

Local Resource Guide

Licensed Creative Arts Therapists:

Look for therapists specifically trained in expressive arts therapy. They can provide a safe and supportive space to explore your emotional responses to the performance through art, music, or movement. Verify their credentials with the New York State Office of Professions. Experience working with trauma-informed care is a plus.

Spiritual Directors (Non-Denominational):

If the performance sparks questions about faith or spirituality, a spiritual director can offer guidance and support without imposing a specific religious doctrine. Seek someone with training in contemplative practices and a commitment to interfaith dialogue. Look for affiliations with reputable organizations like the Spiritual Directors International.

Licensed Clinical Social Workers (LCSW) specializing in Grief and Loss:

The themes of suffering and loss in “Via Dolorosa” may resonate with personal experiences of grief. An LCSW specializing in this area can provide evidence-based therapy to aid you process these emotions and develop coping mechanisms. Ensure they are licensed to practice in New York State and have experience working with complex trauma.

Ready to find trusted professionals? Browse our complete directory of top-rated arts therapists and mental health experts in the Brooklyn area today.